This article appeared in the Mosaic section of Ceylon Today on Sunday August 17 2014
In the introduction to Dream Song, his 1990 biography of Berryman, Paul Mariani said: “Much of what Berryman wrote about himself in his various autobiographical guises was brilliantly and highly original in its manner of saying. But it was also oblique, defeated, and – because of his long obsessions with alcohol, love, and fame – often, as he came himself to understand, delusory”. Last week I hinted at the problems he encountered from an early age with his father’s suicide (or possibly, murder) his mother’s sexuality and the family’s peripatetic life.
Berryman was not happy at school – his condescending manner and self-pitying wimpiness caused him to be bullied and he got little sympathy from the teaching staff of South Kent in Connecticut. He eventually came to an accommodation with the bullies and the teachers and made some friends – engaging in some mild homosexual activity. Later he quickly ended a friendship when a young man told him he was in love with him. In his teens, he became interested in girls. In later life, this developed into compulsive womanising. He wrote for school publications and got high marks for English literature, although his work had a tendency to be too cold and calculating.
At Columbia, he read voraciously and became smitten with Milton’s Lycidas. In Mark Van Doren, he found an inspirational teacher and a good friend for life, although he had antagonistic relationships with other teachers. He had written poetry at South Kent but at university, he put aside the “morass of adolescent love verse” and tried verse forms like the double quatrain and couplets of uneven length. He communicated with Randall Jarrell.
His literary work was good enough for him to win a scholarship for two years at Clare College, Cambridge. When he arrived in London, he had the nerve to introduce himself to the Woolfs to ask them to publish his poetry. He sent a poem to Yeats and made friends with Auden. He had some drunken sessions with Dylan Thomas and upgraded his estimation of the Welshman’s poetry. Yeats invited Berryman to tea and Thomas tried to get him drunk beforehand. Berryman’s tutor at Cambridge was the distinguished Shakespearian scholar George Rylands. Berryman was surprised by how little English literary people knew about American literature. FR Leavis was to have been one of Berryman’s supervisors in his second year but declined when he sensed Berryman’s hostility to him.
Berryman was already worried by wild mood swings: “mental instability fits of terrifying gloom and loneliness and artistic despair alternating with irresponsible exultation”.
Back in the USA
When Berryman returned to the US, some of his friends, including Mark Van Doren, avoided him because of his irritating British affectations. Another aspect his friends found off-putting was his tendency to try to steal their girl friends. Poet WD Snodgrass said that the problem with Berryman was “as soon as he liked you he began making your life difficult by tampering in your love life and sometimes trying to tamper with your wife.” Berryman had no compunction about seducing his students. He tried to seduce them even in the presence of their very large and strong boyfriends. He persistently made drunken phone calls to female students. He spoke to a psychiatrist about his mother’s flamboyant sexuality and his own relationships with women.
Columbia offered him a teaching job and he worked hard, sending poems to the quarterlies. Delmore Schwartz was then a rising star and poetry editor of The Partisan Review and wanted to publish some of Berryman’s poems. Schwartz was impressed by Berryman’s intelligence and vividness. He commented on the violence running through his poems. Berryman accepted an almost unpaid job as poetry editor of The Nation and persuaded Wallace Stevens to contribute a poem and even to go to the trouble of explaining some obscure lines.
Berryman suffered from epileptic seizures, which his first wife Eileen had dismissed as his way of dealing with his mother. He had nightmares about hacking women’s bodies and leaving the pieces under various houses to be discovered. In 1948, he won the Shelley Memorial award for $650, which paid some bills and let him buy a bottle of Scotch, which he drank in one sitting. Throughout the rest of his life, he experienced countless drunken episodes, black-outs, wandering fugues, injuries, memory loss. He was violent to his wives on occasions.
Rather than facing his alcoholism, he blamed his mental condition on the way Americans mistreated their poets. Despite his brilliance as a lecturer, his reputation as a drunkard and a troublemaker was well known. He had insulted most of the department’s members and their wives and did not hide his disdain. In 1960, he began wetting the bed. Sometimes he was so drunk on the podium that he delivered the same lecture twice to the embarrassment of his students. Someone described him as “a painfully shy man” blinking “out through the mask of his beard”. Ralph Ross said “I concluded that the only John one could love was a John with 2 or 3 drinks in him, no more & no less, & such a John could not exist”.
The Dream Songs
Berryman put much of his life into the Dream Songs, which eventually amounted to 308 poems. Since 1955, he had been working on the sequence. In 1964, he published 77 Dream Songs. This volume was awarded the 1965 Pulitzer Prize for Poetry. The Academy of American Poets states that “the poems of 77 Dream Songs are characterized by their unusual syntax, mix of high and low diction, and virtuosic language.”This was followed in 1968 by His Toy, His Dream, His Rest. This book won both the National Book Award for Poetry and the Bollingen Prize in 1969.
The work follows the travails of a character named “Henry” who bears a striking resemblance to Berryman. “Henry has a hard time. People don’t like him, and he doesn’t like himself. In fact, he doesn’t even know what his name is. His name at one point seems to be Henry House, and at another point, it seems to be Henry Pussycat.” These poems establish “Henry” as an alienated, self-loathing, and self-conscious character. Berryman also establishes some of the themes that would continue to trouble Henry in later dream songs (like his troubles with women and his obsession with death and suicide). Berryman references his father’s suicide as “a thing on Henry’s heart/ so heavy, if he had a hundred years/ & more, & weeping, sleepless, in all them time/ Henry could not make good.”
“The volume was dedicated “to Mark Van Doren, and to the sacred memory of Delmore Schwartz.” Although many of the poems eulogize the deaths of Berryman’s poet/friends, more of these elegies (12 in total) are about Delmore Schwartz than any other poet.
In addition to the elegies, this volume also includes poems that document Henry/Berryman’s trip to Ireland, his experiences with fame, his problems with drugs and alcohol, and his problems with women.
Dream Song 14
Life, friends, is boring. We must not say so.
After all, the sky flashes, the great sea yearns,
we ourselves flash and yearn,
and moreover my mother told me as a boy
(repeatingly) ‘Ever to confess you’re bored
means you have no
Inner Resources.’ I conclude now I have no
inner resources, because I am heavy bored.
Peoples bore me,
literature bores me, especially great literature,
Henry bores me, with his plights & gripes
as bad as achilles,
who loves people and valiant art, which bores me.
And the tranquil hills, & gin, look like a drag
and somehow a dog
has taken itself & its tail considerably away
into mountains or sea or sky, leaving
behind: me, wag.
Contemporaries, including Elizabeth Bishop and Conrad Aiken were very impressed and wrote Berryman letters of congratulations on his achievement in the volume. Upon its publication, the book also received a positive review in The New York Times Book Review by the literary scholar Helen Vendler.
More about the dream songs and Berryman’s time in Ireland next week.